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Nasoor (2024) Review

By Kevu Che Desk · Updated 2026-07-29 · Spoiler-light

Nasoor 2024 poster

Harsh Vardhan Seth is a wealthy, outwardly successful man who nonetheless feels hollow and adrift, hunting for a purpose he cannot name. His obsessive chase for meaning and money blinds him to the people and things that actually matter around him. The film follows the consequences of that unhealed inner wound, framing one man's crisis as a mirror of modern life.

Nasoor sets itself apart in the Dhollywood calendar by refusing the safe lane. Instead of a family comedy or a horror hook, director Rishil Joshi builds a psychological thriller around Harsh Vardhan Seth, a rich and successful man who cannot shake the feeling that his life is empty. The title, which means a festering wound, is the whole idea: a man who has everything and still bleeds inside, chasing purpose through money and losing the things that count.

The film's biggest asset is its cast. Hitu Kanodia carries the interior unravelling with restraint, and Niilam Paanchal, who reportedly poured real preparation into her role, gives the drama its emotional weight. Suman Sahu's camera and Maulik Mehta's background score do a lot to sustain the mood, and both reviewers who covered the film singled out the performances and the technical polish. The Times of India gave it three stars and praised the bold concept and the direction, while Gujarati Mid-Day landed at two and a half, calling the subject genuinely unusual for a Gujarati release.

Where Nasoor stumbles is pacing. Both critics flagged the same faults: a slow buildup, a second half that loses its grip, and a backstory that never fully develops. It is a film with a real idea and committed actors, held back by a screenplay that does not always trust the audience to stay with it. The thin theatrical run reflects a hard sell rather than a lack of ambition. Watch it for the swing at something different, and for two lead performances that deserve a tighter film around them.

Verdict

2.5 / 5

A brave, idea-first Gujarati thriller with two strong lead performances, let down by slack pacing and a soft second half.

What works

  • An unusually bold, interior concept for Gujarati cinema
  • Committed lead turns from Hitu Kanodia and Niilam Paanchal
  • Strong camera work and an effective background score
  • Assured, confident direction

What holds it back

  • A slow, drawn-out buildup
  • A second half that loses its grip
  • An underdeveloped backstory
  • Niche appeal that limited its theatrical reach

Cast & crew

Director: Rishil Joshi
Writers: Kajal Mehta
Music: Maulik Mehta
Cast: Hitu Kanodia (Harsh Vardhan Seth), Niilam Paanchal (Jolly Seth), Denisha Ghumra (Chhabbi), Heena Jaikishan (Roshani), Hemin Trivedi (Parag Policy)
Producers: Manoj Ahir

Watch the trailer

Play trailerPlay the official trailer on YouTube

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Frequently asked

Is Nasoor worth watching?

A brave, idea-first Gujarati thriller with two strong lead performances, let down by slack pacing and a soft second half. Kevu Che rates it 2.5 out of 5.

What is Nasoor about?

Harsh Vardhan Seth is a wealthy, outwardly successful man who nonetheless feels hollow and adrift, hunting for a purpose he cannot name. His obsessive chase for meaning and money blinds him to the people and things that actually matter around him. The film follows the consequences of that unhealed inner wound, framing one man's crisis as a mirror of modern life.

Data honesty: IMDb, box office, awards and facts are sourced from Wikipedia, IMDb and named critics. Critic scores shown are real published numbers. This review is our own synthesis of published coverage, not a reproduction of any single source. Poster is an editorial studio asset credited to its source. Sources: en.wikipedia.org · wikidata.org · timesofindia.indiatimes.com · gujaratimidday.com · sacnilk.com.

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  • Independent Gujarati film reviews
  • Real ratings, sourced. We never invent a number.
  • Every review is our own synthesis.
Kevu Che, kevuchemovie.com. Gujarati cinema, catalogued and reviewed. Ratings and facts are drawn from IMDb, Wikipedia, and named critics, cited on each page. Reviews are our own synthesis, not reproductions. Last updated 2026-07-29.